Wedding Photography

Wedding Photographer - How To Be Professional And Keep Your Clients Pleased

Photography, requires some amount of visual aesthetic sense and an artistic outlook of life on the whole. Take your photography seriously, to rise quickly from the amateurish level. Be well-versed with the technicalities of photography, for they not only make your task easier but also enhance your work quality, processing and the deliverables. Essentially, the know-how of photographic techniques is what often differentiates a good wedding photographer from an average one.
Sit down with your clients and discuss the plans carefully. Discuss the costs and assure them of your abilities, as a budding professional wedding photographer. Needless to say, you must have the sense of aesthetically pleasing backgrounds. Gather ideas, clarify doubts, if any, ask questions and any concerns that you might have.

Executive Summary of wedding Photography by Dennis John


How to Photograph a Wedding – Groups

Many wedding photographers avoid taking large groups. You should never refuse to shoot a large group, there is always a demand for groups if you pose them correctly.
Most photographers who say there is little money to made with large groups, usually do not have the creativity to pose the groups.
You often see wedding photography where the photographer has posed the group in a long straight line. The effect of walking backwards to make the group fit the frame is that you end up with lots of sky, lots of ground and an unattractive looking group somewhere across the middle of the frame.
There are two methods I advise you to use when shooting big groups.
The first is to shoot from a high angle, for example from a first floor window above the group.


Executive Summary of wedding Photography by Bobby Jones

Child Photography

The Art Of Child Photography

Child Photography is one of the most exciting opportunities to capture expressions, attitudes and individual uniqueness. The secret of child photography is to understand children and what children do, how they act and behave. Children are fun and exciting to work. An experienced photographer will understand child photography. It’s important that the photographer allows children to be children and have fun, remain uninhibited, playful and natural – after all, it’s all about capturing your children’s nature and uniqueness. Child Photography should be spontaneous and relaxed allowing for natural composition to evolve. To create the best results the child photographer should take many images so that the best moments are captured.

It’s very important that your photographer provides a relaxed environment where your children are encouraged to relax and be themselves. You want to make sure the photographer is using high quality digital equipment, which ensures high definition images.

Child Photography requires special props and clothing.

An expert in Child Photography will endeavour to capture any unique features of your children.

Posing, placing and positioning for Child Photography is very important as is image design and style. You want their choices of settings and backgrounds to benefit and highlight your children’s personality and uniqueness.

Lighting is essential when it comes to child photography.

Spontaneity, mood and feelings is what child photography is all about.

Many photographers offer an extensive range of album presentations and framing to enhance your Child photography. Images are timeless, powerful and beautiful.

Executive Summary about Child Photography by Vittorio Natoli

The Passion Of A Great Child Portrait

Inspired to create your own child portrait? Children hold such wonderful
qualities, a simple innocence and a profound simplicity, beauty and awe about
them.
Have fun, be playful. That's how you'll reach children.
You want to cherish that
unique spark of brightness in a child's life.
Like I mentioned, children are at a level of refined sensitivity and openness. It can take time.
Getting a good child portrait is not that difficult. Child activity happens fast. Carrying the tools of trade (camera) is going to create some action, responses and performance. What you want to achieve with your child portrait? You might want to stand way
back, relax and shoot with long lens and focus in as the children play. Keep it fun. You're after moments. The
moments are the precious stuff. Stuff that feels right, is right.

Executive Summary about Child Photography by Martin Hurley

Photo Tip - It's All in Black and White

Executive summary about black & white photography by Bob Pardue


Many of the young ladies in the modeling world love color images but there are times, especially if you are a model who works with artistic photographers, it's nice to have the contrast and distinctiveness black and white delivers.
I believe that augmenting black and white photos throughout the pages of my model photo gallery produces the diversified effect I want.
Benefits of Using Black and White Photos

Black and white is stark. Not so with black and white. Black and White for Plain Backgrounds
Black and white still works great in this situation because of the contrasting lines. You don't need color to show off the eyes.


The Artistic Side of Black and White

Figure models are women who work in a more "artistic" atmosphere.


Toning and Colorization of Black & White

Another idea for black and white photos is to leave some color in the images. With a little help from a photo program like Photoshop a photographer can create extraordinary works through adding a little color in different parts of a black and white photograph. So if you want to focus on the eyes of your model, you could still have the definitive, clean look of black and white pictures while still enhancing the light blue color of her eyes.


Changing Color Images to Black and White

It is remarkably simple to change digital color photos to black and white in your digital darkroom.



Black and White Photography Tips

Executive summary about black & white photography by Mark Pommet


I thought I'd share five pretty random Black and White Photography Tips.


Shoot in RAW

always shoot in RAW mode to get high quality of the image


Shoot in Color

If your camera doesn't allow you to shoot in RAW (or you choose not to) - shoot in color and do your conversion to black and white later on your computer.
(read more on the choice between shooting in black and white or post production conversion).
When shooting in RAW and switching to Black and White mode you see your results in the LCD in black and white but the camera actually records all of the information (including color) - the best of both worlds. But if you're shooting in JPEG - shoot in color and do the conversion later. Shoot with the lowest possible ISO possible.

When to Shoot

Many digital photographers actually prefer to shoot images for Black and White in low contrast situations. So next time you find yourself with a dark and gloomy day - shoot some black and white shots.


Subject

Some subjects that look interesting in color look dull in black-and-white. Photographs of people look especially good in black-and-white. Black-and-white photographs of couples on honeymoon or on vacation can be equally captivating. Black-and-white photographs of children and babies are also very beautiful and sentimental. Buildings, landscapes, and other scenes are also valuable subjects in black-and-white photography. You could say that light and shadow are all there is to black-and-white photographs.

Wedding Photography Tips - Only the Very Brave Will Attempt It

Executive summary about wedding photography tips by Lance Carr

Hire a professional. No? Then read on, reckless fool...

Emotionally, spiritually, intellectually and photographically. You'll need extra memory sticks, extra batteries, a flash outfit, a tripod and a zoom/wide-angle lens. You'll also need a decent photo editing program to produce the finished product in an acceptable form.

ALWAYS shoot for the bride. 99.9% of men don't care.

Get a list of wanted shots. Weddings have about 4 phases: getting dressed, the ceremony, after the ceremony (relaxed shots with the new couple), the reception including the cake and groups of guests.

Shoot a lot. Get the groups. Groups are important but watch out here because semi-inebriated guests will want to be photographed with pot-plants, the foxy waitress, each other, maybe the bride and groom, and towards the end of the evening fascinating cloud formations.

Get the proofs to the bride as fast as possible. Definitely before the divorce.

Get your shots first and party later if anyone is left to party with. Your reputation can be destroyed by a handful of misaimed shots of the bride or her friends. If it sucks delete it. Better safe than sorry.

Helpful Tips in Creating Beautiful Pictures in Your Private Wedding Photography Session

Executive summary about wedding photography tips by Juhlin Youlien

The Phoenix wedding preparations are all set. Wedding vendors are already booked ahead of time including the wedding photography in Phoenix. Do you still need to have a private wedding photography session with you wedding photographer?

Most couples consider hiring a professional for the wedding photos as expensive. The photographer can use different approaches and gentle persuasion so the couple will be more relaxed. Here are a few tips to create wonderful wedding photos that will surely last a lifetime.

• The most important task is to hire a professional wedding photographer that you are comfortable with.

• Plan your photo session in the most flattering time of day.

• It is also advised that you hire the same photographer for the wedding and the photo session so he will be familiar on your best angles.

• Time is the most essential part of a private wedding photo session. If you want to achieve stunning shots, then allot at least an hour for the photo shoot. When looking through samples of the photojournalistic work of the photographer, be aware of your preferences and priorities for the private photo session.

Learn Digital Photography - Using Your Digital Camera the First Time

Digital photography guide.

Consumers have gone digital ever since the technology improved and became cheaper. Nowadays, digital cameras

are build to be affordable and user friendly. Gone are the days when we buy specific ISO films for specific occasion.

Still, you need to learn about digital photography before you start using your camera.

1. Understand the features

Do you know how wide your camera lens is? Do you know the smaller the lens size (mm) the more you can fit into your picture? How much is the optical zoom of your camera? Do you know optical zoom is more important than digital zoom when you are taking a picture?

Besides, cameras nowadays don't just take photos. Cameras like compact digital cameras are capable of taking video too. Can you benefit from this feature?

Digital camera

is just a tool to the vast world of photography. If you really want to learn digital photography, you need to realize the potential of your camera.

2. Read the manual

Unless you are really into photography, a lot of consumers didn't read the manual. If you are one of them, probably you have even misplaced the manual now.

But the fact is, your untouched manual is a very good guide for your digital photography hobby. It often surprises the consumers because their camera can do a lot more than they think.

3. Learn the basics

The basic of using a digital camera is to look at the subject from the LCD screen or eyepiece, focus on the subject manually or automatically, snap the picture and view it on TV or PC.

You will only know how to make your pictures unique after you master the basics.

4. Experiment

One of the best ways to understand the potential of your digital camera is to experiment with it.

Capture the subject with different mode and compare which of them is better. Sometimes capturing a picture under dim light with flash off is better than setting the flash on.

Since your pictures are stored digitally, you don't need to worry about spending money on film. The maximum wastage can only be battery power which is also rechargeable.

article source : http://www.articlesbase.com/digital-photography-articles/learn-digital-photography-using-your-digital-camera-the-first-time-644796.html

Photoshop Tutorial - How to get Great Skintones with your Digital Photography

By Robert Provencher

Good skintones. The search for the holy grail of digital photography. I have been banging our heads against the wall for years trying to perfect "THE ONE SIZE FITS ALL" solution to working with skintones and I'm talking about capturing, workflow, output, the whole nine yards. What I've figured out so far is that skintones are somewhat subjective. The procedures that ultimately create good skintones are as follows:

Good capture:
When you capture the image 99% of your job is done. If your exposures are off and your colorbalance is off, then your skintones will be off. Of course this means your lightmeter will be your best friend (second to your dog). Be on top of your exposures like dirt on a pig. Know your histograms and image tones. Don't just use your LCD as a reference. Your LCD brightness varies, and is not 100% reliable to use on it's own, however it is an integral tool that works with everything else. Never get lazy here, always check your exposure, know your exposures and keep it accurate. Make this a part of your mind set and workflow. And don't forget to test new stuff, never assume....

Colorbalance:
I like to shoot a greycard under the lighting conditions we are shooting in as a custom whitebalance setting. For some reason a greycard seems to work better for us than a whitecard. What can I say. I get images that are neutral, I can warm them up later if I choose. However, for many digital photographers, using a white card to create their custom white balance weems to work just fine.

Workflow:
I like to get an idea of what a good skintone is by using the colorpicker. Now remember, skintones are subjective, so it's purely arbitrary but you will get used to it in time. So, as a rule of thumb, using the color picker, depending on the actual pigmentation of the subject we find the reds are about 20% higher than the green and about 30 - 40% higher than the blue. Since during the capture the tone has been turned off (in camera parameters), I can add more to the skintone by using colorbalance and saturation.

Assuming that you have good capture, (exposure/whitebalance), there are several ways to acquire or enhance skintones. One of the best ways is by using the selective color (IMAGE/ADJUSTMENTS/SELECTIVE COLOR, or ALT-I-A-S). I have been using this for a little while now, and so far it's rendered me outstanding skintones. Here's how it works.

Simply reduce the amount of cyan in the reds. Usually about 40-50%. I could go more, but I hold off. Why? Because when I adjust the contrast later it will bring out more tones in the image, thus giving me more red in the skin. There is al lot or red in the skin, especially caucasians, so by doing this technique you will give most people more warmth and glow to their skin tone- but be careful!! Do not over do it.

The thing I like about using the selective color this way, is that I am only working with the red tones. If I didn't want to affect any other reds (like the reds in her coat) I can simply do several things:

1. make a selection around her face and then perform the adjustments.

OR

2. after the adjustments simply use the history brush and erase the areas I don't wish affected.

That's it. Simple isn't it, when you get down to the basics.

Robert Provencher has been a professional portrait and wedding photographer for over 25 years. He has trained hundreds of professional photographers throughout North America in live workshops and through his online forum. Robert has authored several manuals on digital photography and photogaphy marketing. http://www.nobsphotosuccess.com

Article Source: http://EzineArticles.com/?expert=Robert_Provencher

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Photography Technique :Tips to Improve Your Digital Photography

Tips to Improve Your Digital Photography

by Cindy Bracken

1. Watch your background
1. Keep it simple
2. Be on the lookout for objects directly behind your subject
3. Keep major distractions out of the frame
4. Keep the focus on your subject
2. Experiment with angles
1. Try shots both horizontally and vertically
2. Try some diagonal shots for that “off kilter” look
3. Don’t be afraid to experiment
3. Move in closer
1. Fill the frame with your subject for more impact
2. Move physically closer or use your camera’s zoom
3. Sharp close ups of small objects will require a macro lens
4. Get down to your subject’s level
1. Especially when photographing children or pets
2. Get down to their eye level
3. This will allow their personality to show through
4. It will also allow you to capture better expressions
5. Don’t be afraid to use your flash outdoors
1. fill flash will go a long way to brighten up shadows on both cloudy and sunny days
6. Watch your lighting
1. Avoid harsh overhead sunlight and shadows
2. Cloudy days are best for outdoor portrait photography
3. Use reflectors and diffusers for best results
4. Avoid bright light behind your subject
7. Don’t always center your subject
1. moving your subject out of the center of the frame will give your photos more impact
8. Lock your focus
1. Put your subject in the center of the frame and lock your focus
2. Then position the frame where you want it, but be sure to keep the focus locked before clicking the shutter
3. This will ensure that your subject remains in focus, even if they are not in the center of the frame

source : http://www.shuttermom.com/tips%20to%20improve%20your%20digital%20photography.htm

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Wedding Photography: How to Become a Successful Wedding Photographer

Wedding Photography: How to Become a Successful Wedding Photographer
By Juan Carlos Torres

Once in while I receive e-mails or phone calls from aspiring or beginner wedding photographers asking me for advise on how to become successful in the wedding field. My first question is always what their motivation is to become a wedding photographer. Some will reply that they heard from somebody that it is easy money, or that they got a cool camera that takes great photos or that they would like to make some money on the side etc. While it is true that wedding photography can be a very profitable business achieving success in the wedding industry is not just a matter of getting a camera and start shooting. Wedding photography involves artistic talent, human sense, complete mastery of photographic techniques, business knowledge, and a strong desire to learn and deliver the best to the wedding couple.

Here I have summarized some points that I believe will guide beginner wedding photographers:

1. Learn photography before anything else. A wedding photographer is expected to be a master of the craft. You will be in charge of capturing people's most precious life moments. The wedding day is not the place to learn photography.

2. Just because you got a brand new camera it does not automatically make you an effective and reliable photographer. Photography goes beyond cool toys and gadgets. Learn composition and develop a unique artistic vision. Some of the great photographs of all time were taken with manual cameras.

3. Master the digital workflow, including color management, digital image processing, file management and image correction and enhancement.

4. Learn to love photography more than anything else. Don't come to the wedding photography field with just dreams of making money. It is true that there are many successful wedding photographers that make a lot of money. However according to the Professional Photographers of America the average photographer in America makes about $24,000 a year.

5. Focus on delivering quality more than quantity. Seek with all your heart to capture unique photographs.

6. Develop a style that is recognizable and unique. Don't try to be like somebody else. Clients look for unique photographers, with a unique vision.

7. Give wedding photography all your heart and effort. Long when you are gone your photographs will last forever. It is a great way to be remembered.

8. Open your heart and your mind and great photos will happen. Concentrate on the human aspect of weddings, the details, and emotions and be ready to capture them. Let the camera become an extension of you.

9. Share your technical knowledge and make connections with other wedding photographers.

10. Participate in wedding photography image competitions. It will give you the opportunity to have your work evaluated by peers and the motivation to improve your work quality.

11. Learn something new everyday. Take advantage of professional photography organizations such as Professional Photographers of America (PPA), WPPI, etc. Attend their seminars, workshops. Participate in Internet wedding photography forums and learn and share tips, tools and techniques.

12. Don't neglect the business aspect of wedding photography. Learn to manage your business effectively. Take business courses and seminars.

Juan Carlos Torres is a very respected and awarded wedding photographer in Oregon. He has a Masters Degree in Remote Sensing with a strong background in digital image processing and photography. He is a member of the several professional photographer organizations including the Professional Photographers of America, the Professional Photographers of Oregon, the Wedding Photojournalist Association,and the Oregon Wedding Photo Guild. His wedding photographs are unique and very artistic and have been featured in national and international magazines. For a sample of his works please visit Portland Oregon Wedding Photographer and Eugene Oregon Wedding Photographer

Article Source: http://EzineArticles.com/?expert=Juan_Carlos_Torres

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The Ins & Outs of DSLR Cameras

It can be hard choosing a DSLR camera that will fit all your needs, in whatever occasion. Think about what types of photographs you will take in most cases and select the DSLR camera based on what your needs will be. If you know the type of photography that you'll be concentrating on, choosing the right camera for you will be much easier.

For example, concentrating on taking photos of the nature means that you should take into consideration digital SLR cameras that come with a bigger optical zoom and possibly combining the camera with a scope. This will insure that you can take the best photos when it comes to nature, even if the subject is at a longer range.

If your pleasure is doing sport photography, then you should concentrate on a digital SLR that comes with a fast shutter speed, good focal length and a motor drive that is speedy. You need speed if you want to be able to take fast photos. In sports, speed is very important, since otherwise you risk missing the moment by the time you take that photo.

If you prefer going on trips and taking photos of architecture, you should buy a digital camera that has lenses as wide as possible, so you can avoid the keystone effect and provide you with some extra space near the building you're photographing. This effect will make the photo appear like the building is going to fall. Some digital SLR cameras will have extra options, like shift or tilt control lenses that will fix this issue.

The case is different if you're looking to do underwater photography. In this case you will need some obvious choices: camera housing that works underwater and digital SLR cameras that are waterproof. In some cases, the price of a camera that works underwater will be smaller than a normal digital camera. The downside is that underwater digital cameras will have a smaller resolution. While you can save more photos if the quality is lower, it also means that you can't zoom in or do as many things with those photos.

Finally, take into consideration your own demands from a digital SLR camera. Pick the model that will do everything you need from it and purchase it.

Getting the perfect DSLR camera, is never an easy thing, due to the constantly changing technology. Fortunately, there are plenty of helpful websites online, that can narrow down your search and help you find the camera with all the features important to you

Article Source: http://EzineArticles.com/?expert=Chris_Campbell

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Pregnancy Photography - Tips For The Belly!

by: Heather Hart

These tips have been provided by Heather Hart of A La Mode Photo who specializes in natural environment, pregnancy, family and pet photography.

1. Find a friend.

Since you are the model, you need someone who has a few hours to dedicate to you and your Belly!

2. Try using a camera with real film and not digital. Go to a camera store and ask for professional black and white film - avoid going to the local market or drugstore for your film - there is a big difference! Ask for 125 speed film - there is less grain. And everyone always looks so much better in black and white - try it, you may like it!

3. Wear natural make-up - a little base and accent your eyes! Since you're shooting outdoors, keep it light!

4. Choose a place outside! A local park with trees always works nicely. Make sure that the background where you are shooting is also nice. Be careful of trash cans and other items in the background that might detract from your focus.

5. Go to a local fabric store and buy 6 yards of chiffon material. Black, grey, white - any color is fine! Use this to wrap around you and make a great skirt. This will accentuate your Belly just perfectly! Bring safety pins - they will be your new best friend.

source : http://www.premierphotographer.com/photoarticle_6.html

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Wild Life Photography Tips - South Africa

by: Gerald Crawford

It's important to know the behavior of the animals you're trying to photograph. By understanding their behavior you will have a better chance of finding them and you will be able to predict their actions.

By reading up on animal behavior you will learn the different kinds of terrain the various animals prefer. You can combine that knowledge with that of your qualified guide to plan the best African game drives and bush walks, where you will have the opportunity to take some amazing photo's.

Security is very important, so make sure that you don't put yourself in danger. Also never interfere with the natural behavior of the animals in order to take a better photo!

Some part of all trips will involve meeting people from local tribes and with cultural backgrounds different from ours. Please be courteous when taking pictures. It is always a good idea to build rapport with your subjects first and then ask them if it is OK to take their picture. Tribal folk can be very suspicious of cameras and vocal and demonstrative with people who shoot first and make friends after.

The following tips should help you to take memorable photos while on your African safari:

When taking close-up pictures, focus on the animal's eyes. This guarantees that most of the animal's face will be in focus. Be prepared and ready with your camera at all times, as animals may suddenly appear and disappear just as quickly.

Range your subject. For example, when taking photos of an Elephant, take a portrait shot; include one more with the general habitat in context to the subject, then another with close-up detail, such as horns and face.

Utilise low contrast film when the sun is intense and high contrast film when it is overcast or dull. Take different pictures in vertical and horizontal approaches. Take photographs from different levels when you are on a game viewing activity. Pictures taken at the animal's eye-level will appear more sensational.

Do not centre all your shots; leave room in your subject for the animal to move into. This will prevent lifeless composition and give an imitate portrayal of your subject. A good starting point for wildlife photography is a lens with a 300 mm in focal length. Bird photography will require a 500 mm lens. When the subject is in motion, use a shutter speed of at least 1/125, except if you are using a panning method. Birds in flight necessitate speeds of 1/500 or more. Why not share some of your best images of Africa with us.

Film Requirements:

You will find incredible photographic opportunities on your safari. There are no limitations on the amount of film you can bring to any of the countries of Southern Africa, so bring plenty! Film is expensive and can be hard to find once in Africa. If you are interested in A PHOTOFRAPHIC JOURNAL of your safari, bring at least 1 roll (36 exposures) per day; it doesn't hurt to bring more.

We recommend Kodachrome 64 (slide film) or Fujichrome 100 for most daylight shots in open territory. With longer lenses, which admit less light, or for low light situations around dawn and dusk, 400 ASA (or higher) are also recommended. A flash unit is a useful addition when taking pictures of dark subjects in low light conditions, or evening camp fire scenes. Stow your film in a lead foil bag to protect it from heat, moisture and airport X-ray machines. There are two types available, one rated up to 400 ASA and one to 3200 ASA. The 3200 ASA bag is virtually impenetrable to X-rays and is worth the extra cost.

Lenses:

A 200 or 300 mm lens (or 80-300 zoom) is good for most wildlife photography from vehicles or boats. A 400-500 mm lens will work well in many situations, especially if you are a keen bird photographer.

A standard 50 mm or wide angle lens is good for scenery and people shots. If you are an avid photographer you may want to bring two SLR camera bodies (of the same type) so you will not have to constantly change lenses. With two cameras you will spend more time looking at the wildlife and composing shots than fumbling in your camera bag, getting dust in your one camera body, and missing the action!

source : http://www.premierphotographer.com/photoarticle_3.html

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How to Pose People For Portraits - Tips to Get the Best Portraits Possible

There's absolutely nothing quite like picking up a camera and taking a stunning photograph. It is even more fulfilling when that photograph is a portrait. Most of us want to know exactly how to take our own portraits. The reasoning behind it may be different, perhaps you want to save money taking your kids' pictures yourself or you have your heart set on a family portrait to send out during the holidays. The most common concern expressed when it comes to taking a good picture is how to pose people for portraits. If you understand the basics of how to get a good portrait, you'll always end up with a wonderful picture and memory once the experience is over.

The backdrop is crucial when it comes to understanding the best way to pose people for portraits. You may think a busy background will help create a more stunning picture, but in reality it may just take away from your subject or subjects. Choose a color and texture that is complementary to your subjects. If you are doing the portrait sitting outdoors make sure that the lighting is good and that the wind isn't going to wreak havoc with anyone's hairstyle. Keep it as simple as possible. Let the natural light guide you and you'll end up with a portrait that becomes a keepsake.

You should also try and make your subject feel at ease. Most of us aren't comfortable having our picture taken and when the focus is solely on us, we start to feel a little self-conscious. If that happens, the person you are photographing may appear stiff and their smile will be forced. You don't want that at all. Take a little time beforehand to talk to them and make them feel relaxed. You'll end up with a much better picture.

Anyone can learn how to take studio quality portraits at home. With just a few basic hints, you can create portraits that are stunning. Learn more tips on how to improve the look of the portraits you take of your family and friends.

Whether you want to take portraits for fun or profit, it's essential to understand how to approach the experience the same way professional photographers do. With a camera and insight into how to take a perfect portrait you'll become the photographer you always wished you could be.

Article Source: http://EzineArticles.com/?expert=Laura_Crusie

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